This Drifting Poo Was Far Too Meaningful! These Are the TV Letdowns of the Year.

Looking back, we consider the TV offerings of the recent year, a handful of series stand out not for their brilliance, but for their notable shortcomings. From cringe-inducing sequels to confusingly bad docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final series began, it looked like it had at last hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's issues. The subject of a very rare zero star review, it was difficult to know where to begin listing the problems. The laughably wooden writing? The tedious veneration of affluence and consumption? The seemingly wilful parade of tropes? Acting so poor they felt borderline spiteful? Suffice it to say “each and every one” and never speak of this series again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be saved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were many other issues. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into twee homemaking as intentional statements. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this documentary series chose not to explore them. Rather, the experience was akin to reading a sales brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We love the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about secret services spying on – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual exploits as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Nicholas Salazar
Nicholas Salazar

A passionate gaming journalist and content creator with over a decade of experience covering the UK gaming scene and esports events.